In honor of leaving for London to record the amazing singers for the Dieselpunk Opera, today we shall feature some iconic photos from the 1940s. I should note, i’m featuring daily life photos not WWII related photos.
Meet photographer Elena Vizerskaya, better known as kaSSandrA. She’s from Kiev and her work is…. her work is stunning.
Really, look at this stuff. it’s breathtaking.
She has a blog that’s here which i BEG you to go check out.
And now for the photo art:
Someone posted this over at dieselpunk.org and it’s pretty cool. The title says it all: current celebrity mugshots done up by Michael Jason Enriquez to appear like they’re from the 1920s.
I’m sure if choosing celebrties i basically dislike (with one or two exceptions) was purposeful… not that Mr. Enriquez had my particular dislikes in mind… but then i realize it’s hard to include really talented actors and actresses because they may have actually made credible period pieces. I mean, what’s the point of photoshopping denzel washington or leonardo decaprio when they’ve already done basically every period from the civil war up to now. So here are some shmucks (with an exception or two) you’re far less likely to see starring in a role from the 1920s or really any that might require… you know…. credible acting.
Ladies and Gentlemen, i present you Lori Nix’s photos of The City:
I would add, she does not digitally manipulate the photos at all.
She builds these scenes then photographs them. “As a ‘non-traditional’ photographer (I construct my subject matter rather than go find it) people find it hard to grasp what exactly it is that I do. And the fact that it is all done in front of the camera, with no digital manipulation, adds its own set of challenges. Building materials, lighting, issues of scale and space all become significant when you are recreating the world on a table top.”
“In my newest body of work “The City” I have imagined a city of our future, where something either natural or as the result of mankind, has emptied the city of it’s human inhabitants. Art museums, Broadway theaters, laundromats and bars no longer function. The walls are deteriorating, the ceilings are falling in, the structures barely stand, yet Mother Nature is slowly taking them over. These spaces are filled with flora, fauna and insects, reclaiming what was theirs before man’s encroachment. I am afraid of what the future holds if we do not change our ways regarding the climate, but at the same time I am fascinated by what a changing world can bring. ”
“I am fascinated, maybe even a little obsessed, with the idea of the apocalypse. In addition to my childhood experiences with natural disasters, I also grew up watching 1970s films known as “disaster flicks”. I remember watching Towering Inferno, Earthquake, Planet of Apes and sitting in awe in the dark. Here was the same type of dangers I had experienced day to day being magnified and played out on the big screen in a typical Hollywood way. Each of these experiences has greatly influenced my photographic work.”
“The scenes I build today are mostly made by hand. There is usually one element I do not feel like creating, such as the piano in “Majestic”. I found the piano and then scaled the rest of the scene around it. The size of the piano determined the size of the diorama. My scenes can be as small as 50×60 centimeters and as large as 182 centimeters in diameter. It takes approximately seven months to build and photograph a scene. I build it for one angle of view and never move my camera from that spot. I will change the lighting, the placement of the objects and re-shoot until I’m fully satisfied with the results. I shoot with an 8×10 large format camera and film. I print my own photographs quite large.”
For more on Lori Nix and more examples of her amazing work (seriously, these are awesome), check out her website at www.lorinix.net